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Yarrowstalks (Philadelphia, Pa.) Records

Collection ID

SPC MSS PP 008

Related Subjects

Collecting Areas

Description

Collection Summary

Title
Yarrowstalks (Philadelphia, Pa.) Records

Dates
1961-1975

Collection ID
SPC MSS PP 008

Creator
Zahn, Brian

Quantity
1.25 linear feet (4 boxes, 1 map folder)

Repository
Special Collections Research Center, Temple University Libraries

Language
Materials in English

Detailed Collection Information

Historical Note

Yarrowstalks was one of the first underground publications born during the "Summer of love," published through May 1975 with a peak circulation of 10,000. Yarrowstalks was the brainchild of Brian Zahn, who promoted adherence to Eastern philosophies and non-radical politics. It was one of the first underground newspapers to explore the possibilities of cold-type offset printing, and it featured the work of cartoonist, Robert Crumb and his "Mr. Natural" strip. Twelve issues of Yarrowstalks were published in Philadelphia from 1967 until 1975. Most of the activity was concentrated at the beginning of the period, in the heyday of underground press activity.

Description of Collection

This collection of manuscripts, original artwork, and photographs from this Philadelphia "underground" newspaper includes paste-ups of individual issues of Yarrowstalks. The artwork includes pen and ink drawings, silkscreen prints, pencil drawings, and watercolors, from such 1960s luminaries as Robert Crumb. The manuscripts include essays by the editor and publisher, Brian Zahn, and the work of Peter Bralver and Timothy Leary. Also included are some personal memorabilia and records from Brian Zahn. Note: illustrations by Robert Crump appear in Issue #1 (June 1967); Issue #2 (July 1967); Issue #3 (August 1967); Issue #6 (December 1968); Issue #8 (Dec./Jan. 1972/73); Issue #9 (June 1973); Issue #10 (June 1974); Issue #11 (Feb/Mar. 1975).  

Organization and Arrangement

Material in the collection is arranged by issue. Unless otherwise specified, manuscripts, photographs and artwork were published. The paste-ups of the individual issues include original artwork not here described as well as reproductions of the described material.  Titles followed by an asterisk do not appear on the item, but rather were given by the editor. Most of the artwork is unsigned, with the identity of the artists supplied by the editor. All photographs are black and white.

Patron Information

Catalog Record

A record for this collection is available in Diamond, Temple University’s online library catalog: http://diamond.temple.edu/record=b1610665~S30.

Research Access

Collection is open for research.

Collections Stored Off-Site

This collection may be housed off-site at the Library Depository, and require up to two business days to retrieve. Please review the finding aid and be prepared to identify specific materials to be retrieved. Contact the Special Collections Research Center in advance of your visit, so that materials may be relocated to the reading room for research.

Publication and Copyright Information

The Yarrowstalks (Philadelphia, Pa.) Records are the physical property of the Special Collections Research Center, Temple University Libraries. Intellectual property rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for determining the identity of rights holders and obtaining their permission for publication and for other purposes where stated.

Preferred Citation

[Description and date of item], [Box/folder number], Yarrowstalks (Philadelphia, Pa.) Records, SPC MSS PP 008, Special Collections Research Center, Temple University Libraries, Philadelphia, Pennsylvania.

Administrative Information

Acquisition Information

Placed on deposit by Brian Zahn in the Contemporary Culture Collection, February, 1975.  MSS: donated later not photos.

Processing Information

Finding aid revised according to contemporary archival standards June 2017.      

Index Terms

The following headings have been used to index the description of this collection in Temple University’s electronic catalog:

Personal/Family Names:
Bralver, Peter
Crumb, R.
Leary, Timothy Francis, 1920-
Zahn, Brian

Subjects:
Literature, Experimental -- Pennsylvania -- Philadelphia
Tabloid newspapers
Underground press publications

Material Types:
Drawings
Photographs

Inventory

1          1          Photographs: “Gatherings on the 600 block of South St., Philadelphia”*, contact sheet of 36 photographs by Steve Tilles; Gathering on South St. sidewalk, 5” x 8” print from previous sheet; “Mouth”*, 5” x 8” print by Peter Schiedt          Undated

1          2          Manuscripts: Editorial by David Auten and Brian Zahn, (typescript)          3          1          Yarrowstalks, Issue #1 (2 copies)          June 1967

1          3          Artwork: Untitled watercolor by Brian Zahn (unpublished); “National Electric Un-Art Puzzel,” ink stamped drawing by John Hawke (signed: Ekwah) (unpublished); 2 cartoon blocks after Robert Crumb, pen and ink by Brian Zahn          Undated

1          4          Secondary Material: “The Original Noise” by Larry Lewis; “Universal Mutant” 3          1          5          Yarrowstalks, Issue #7 (4 copies)          December 1970

1          6          Artwork: “Yarrowstalks” ink and pastel cover art by Ka Kavana (Richard Bohn) (unpublished); “Om is Where the Heart is”*, tempera by Brian Zahn (unpublished); Untitled gouache by Danielle Weber (unpublished); “Eye Seeks…” pen and ink drawing by Brian Zahn (unpublished); Untitled watercolor by Danielle Weber (unpublished); 2 untitled watercolors by Brian Zahn (unpublished); “I Stood and Held Your Hand, pen and ink drawing by Simon (unpublished); Tibetan symbol, block print by unidentified artist (published); Nonatal, hand painted postcard (unpublished)          Undated

1          7          Manuscripts: Autograph letter signed from Steve Ben Israel to Brother Rufus(unpublished); Poetry typescripts by Ka Kavana with additions, (holographs) (unpublished); Untitled short stories by Sunya (Alfred Emmanuel Sorenson) in carbon copy and mimeograph; Poetry and essays in typescript          Undated

1          8          Secondary Material: “Shri Ganeshaya Namah” by Guy Hamamouche, limited edition with hand colored plates; “Hastakara Yantra,” Hindu painting,  “Right Eating, by Rharatanand; Poems by Mahendra the Natha (Anton Miles Palmer); “Lila,” broadside poster          Undated

1          9          Photographs: Kumba Melah, 38 prints (with negatives and contact sheets) (unpublished); Sunya (Alfred Emmanuel Sorenson), 10” x 14” print for cover 4 negatives of artwork          Undated

1          10          Yarrowstalks, Issue #8 (3 copies)          December 1972

1          11          Manuscripts: 2 Editorials by Brian Zahn, (holograph) with revisions; Typed letter signed from Captain Midnight (Jack Moore) to Uncle C, (Curtis Gurak); “The Movie,” carbon copy correspondence from Curtis Gurak to Jack Moore (unpublished); Carbon copy letter signed, from Jack Moore to Curtis Gurak (unpublished); 3 cartoons of Nixon in magic marker by Brian Zahn          December 1972, undated

1          12          Secondary Material: “Bangla Desh,” Xerox copy of unpublished paper by Brian Zahn; Temple News, including holograph notes of a professor’s tenure defense; “Anti-Personnel Weapons in Vietnam,” broadside pamphlet; “New Morning Press,” broadside handout          November 1972, undated

1          13          Manuscripts: (typescript, Xerox copy) “The Emergence of Bangladesh,” by Brian Zahn; “Hank,” poem by Ira Einhorn          Undated

1         14          Secondary Material: “Nutritional Taxeamia (sic), by Bharatananda, a reprint from Khadigramodyog; Mimeographed letter from George McGovern on behalf of the Bangladesh Emergency Relief fund; “Starvation Grips Bangladesh,” clipping from the Philadelphia Inquirer; “Indian Erotic Miniature Painting,” Galerie Krugier & Cie invitation; “Joey Tissue and the Dummies,” Xerox copy with revisions          September 1973, undated

1          15          Photographs: “Sand Formation”*, 2 10” x 13” prints of the cover art by Stella Sneed; Portraits, 2 10” x 13” and 1 5” x 7” print by Dee Dee Contractor; Portrait 5” x 7” color print by Torben Huss; Passport photo of Brian Zahn          Undated

1          16          Yarrowstalks, Issue #10          June 1974

1          17          Manuscripts: Entire issue in paste-up; “Non Violence” and “Law of the Universe,” 2 holograph pages by Brian Zahn; “the Meaning of…,” poem 1ℓ. Holograph, signed by Ira Einhorn; “Through Dark Tunnels of Glass,” Typescript by Robert Brunswick (unpublished)          Undated

1          18          Photographs: 3 8” x 10” prints by Rayanne Rubinstein, Marjorie Leamy, and Spencer Zahn; Snapshot of Brian Zahn          Undated

1          19          Yarrowstalks, Issue #11          February/March 1975

1          20          Manuscripts: Essays and notes; Holograph by Brian Zahn; Photographs and camera ready copy for the issue; “The Boy,” Typescript story by William Sturm (unpublished); “Tree of Life Blue-print,” Typescript by Tom Strife (unpublished) (Xerox copy); “Kulu Beni Adam,” holograph by Ramdas-Pagaldas Bab (unpublished); Layout and advertising, Holograph and typescript; Note, from Angelo Lewis to Brian Zahn, holograph          Undated

1          21          Photographs: “Henry,” 8” x 10” print by Carol Lopez; Show at Etage, 2 8” x 10” prints by Robert Goodman (unpublished)          Undated

1          22          Secondary Material: “The Living Theatre Collective,” broadside and pamphlet          Undated                    

1          23          Yarrowstalks, Issue #12 (4 copies)          April-May 1975

1          24          Manuscripts: Salvador Dali material: Letter from J.C. Odell to Brian Zahn, concerning article in Yarrowstalks, typescript (signed); “Holograms: A Visit With Salvador Dali,” by J.C. Odell, typescript; Instructions for publication, holograph; Peter Bralver material: “The Abbreviated Model of unified Design Field” by Peter Bralver, typescript; “Generalized Model Theory of the Unified Design-Field,” holograph (unpublished); “Pairs,” holograph  (unpublished); “On the Definition of the Largeness of the Ennumerable Continuum,” holograph, (unpublished); “On the Topology of the Continuum,” holograph, 2ℓ (unpublished); “Equality,” holograph (unpublished); “An Essay on the Moralities of Energy,” typescript (signed) (unpublished)          Undated

2          Yarrowstalks, Issue #2          July 1967

2          1          Miscellaneous: “Poex 7”, pamphlet by Brian Zahn and Ka Kavana in English and Dutch; Letterhead and form letters on advertising          Undated

2          2          Material for projected monthly tabloid “B-JAM,” including music, articles, drawings and photographs          Undated

2          3          Philly Joe Jones Concert: Tickets, promotional material and housekeeping records for the concert on June 13, 1975          c. June 1975

2          4          Brian Zahn personal effects: “Mirror Magazine,” Central High School; U.S. Passport; Statement of financial independence; 5 Photographs by Bonnie Nell Williams; Self-portrait, in water colors and ink; Resume          1961-1975

3          3          Photographs: Male and female couple, 10” x 14” prints, by Bonnie Williams; Artwork for inside cover, 8 ½” x 11” negative          Undated

3          4          Yarrowstalks, Issue #3          August 1967

3          5          Yarrowstalks, Issue #4 (3 copies)          November 1967

3          6          Yarrowstalks, Issue #5 (2 copies)         December 1967

3          7          Yarrowstalks, Issue #6          December 1968

3          8          Manuscripts          Undated

3          9          Photographs: Cover print nude male and female embracing, 11” x 14” print by Bonnie Williams; 45 Erotic prints and negatives by Donnie Crockin; 67 prints of the Living Theatre production of Frankenstein at the Philadelphia YMHA in 1968 by Donnie Crockin; 7 negatives of pages in the issue          1968, undated

3          10          Paste-up of Issue #6 as published          Undated

3          11          Sunya Correspondence          December 1970

3          12          Paste-up of Issue #7 as published          Undated

3          13          Artwork: Portrait in pen by Louis Delsarte with holograph essay          Undated

3          14          Paste-up of Issue #8 as published          Undated

3          15          Manuscripts: Essays and poems published in the issue are in typescript: Steve Ben Israel, Maurice Frydman as are long excerpts from Khadigramodyog; Essays and notes, 17p. in holograph by Brian Zahn; Unpublished editorial, 2 holograph pages, by Brian Zahn; “Alien Call” and “the Noosphere,” Vimana Vidya,” 3 poems in 5 holograph pages by Ira Einhorn (unpublished)          Undated

3          17          Artwork: Back cover pencil drawing by Paul Carlin          Undated

3          18          Artwork: “Check the Oil,” pen and ink drawing by Charles Parker          Undated

4          1          Artwork: “Somebody Else’s Trip,” inked stamped drawings by John Hawke (unpublished); “Lady Bird with Carrot,” pen and magic marker drawing recto and verso of one leaf by John Hawke (unpublished); “Flora”*, magic marker drawing, artist unidentified (unpublished); “Super Eight”* pencil drawing by Paul Carlin (unpublished); “Turn on at Midnight,” silkscreen print by John Hawke with a second copy in different state (?) in red on vinyl; Untitled pen and ink drawing depicting three portraits by John Hawke (unpublished); Untitled silkscreen print of half-length female figure by John Hawke (unpublished); “Mod Hip,” silkscreen on vinyl by John Hawke          Undated

4          2          Reproductions of Artwork: Brownline proof by Jim McWilliams (unpublished); Untitled pen and ink drawing depicting figures in a surrealistic style by Larry Lewis (untitled); Brownline proof of cover art by Jim McWilliams          Undated

4          3          Paste-up of Issue #1 as published          Undated

4          4          Artwork: Untitled watercolor by John Hawke; untitled pen and ink border by Ichabod for photographs by Peter Schiedt; Tracing for back cover by John Hawke; Lettering for editorial page by Jean Elliot; Untitled pen and ink drawing by John Hawke (unpublished); “Marriage of Heaven and Hell,” pen and ink drawing by John Hawke (unpublished); three untitled pencil drawings by Paul Carlin (unpublished); Overlays for front and back cover; “Yarrowstalks” pen and ink drawings by Margie Leamy (unpublished); Advertising art in various media by unidentified artist          Undated

4          5          Artwork          Undated

by Ira Cohen; Clipping from Life Magazine on the Living Theatre          Undated

4          6          Yarrowstalks, Issue #9          June 1973

4          7          Paste-up and layout guide for issue as published          Undated

3          16          Artwork: “Linda,” “Leo,” “Erotic Neon (2),” 2 pencil and 2 pen and ink drawings by Brian Zahn (unpublished)          Undated

4          8          Photographs: Harp player, 24” x 18” print by Steve Keller; Salvador Dali 5 5” x 8” prints by Chris Soliday          Undated

4           9          Issue #13 (planned but never published): included are posters, cover art and negatives of artwork; Original Art: “Sigurd and Slasher,” cartoon in magic marker by Charles Dixon; “Circus Vargas,” crayon etching by D. Deichler          Undated

4          10          Unidentified materials          Undated

4          11          Unidentified materials          Undated

5          1          Printing plates and negatives for issues of Yarrowstalks          Undated

5          2          Printing plates and negatives for issues of Yarrowstalks          Undated